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Something to listen to

Few stories seem to hold as much attention as the ones told by a survivor; they tap into universal themes of resilience, strength, and hope. These narratives often reveal our incredible ability to overcome adversity. 


“If I tell the sorrows of my heart it will burn my tongue, If I keep it in my heart I’m afraid it will burn me from the inside. But If I let it out, I fear that it will burn the world” - a father who lost his sons.

I’m listening to Yuval Noah Harari discuss how stories can unite or divide us. Some lead to cooperation, others lead to conflict. Wars are fought not just over resources or territory but over the underlying stories that justify and give meaning to those resources and territories. 


And we can also change our minds about stories too. I’m thinking of "The General" by Dispatch; particularly the lyrics "Take a shower, shine your shoes, you got no time to lose," It's a song about the futility of war. It tells the story of a war-weary general who, after a profound realization, urges his soldiers to abandon the fight and go live their lives. 

There is a term for when a positive psychological change occurs as a result of experiencing a highly challenging circumstance; they call it post-traumatic growth. I think, to a certain degree, we’ve all experienced or witnessed this at some point. It’s a soft sage-like patience in the moment of crisis; a profound calmness and understanding. 

Listen to Nina Simone's live recording of Who Knows Where the Time Goes. Some messages are more powerful when spoken softly. I feel gratitude when I listen to this song. You’ll recognize the survivor in her voice. 


These are our shared myths; they aren’t epic stories of gods and nations, they are personal narratives of survival. If you are into these moods, check out my Change is Gonna Come playlist. Fair warning, these are big feelings songs.


Something to look at

There’s a beautiful film about a man named Mr. Badii (played by Homayoun Ershadi), who drives through the outskirts of Tehran, searching for someone to help him with his plan to end his life. Directed by Abbas Kiarostami and set in contemporary Iran. It’s called "Taste of Cherry" and is a visual masterpiece in my view. The film goes into some deep existential questions about human connection, and life and death—these are big themes we all are familiar with, regardless of cultural background. This is an example of how stories can bridge cultural gaps and connect us through common human experiences.



It's a bit of a slow-paced film with moments of dialogue. Long takes and stationary shots allow the scenes to unfold naturally without cuts. This kind of visual and narrative strategy creates a space for the audience to get to know the story's characters.

This is a good way to approach brand development. It’s better to give enough time between changes for customers to familiarize themselves with the difference. We often refer to this as the 25% rule; as the minimum amount to retain. Gradual changes over time help maintain familiarity and trust with existing customers.


I often advise entrepreneurs to approach developing their business identity and personality similarly. Sometimes the core identity doesn’t emerge at first; I’ve worked with businesses that start with a particular idea, and by the time they launch, they’ve changed their entire model. So I find it’s better to leave room for the brand to grow along the same path as the business. 


Businesses are like people, as they grow so does their sense of identity and personality. Let the business story unfold naturally. A logo will become more meaningful over time. This is why I think a brand is as much built on reputation as it is on vision. The stories we tell shape identities and perceptions.



One of the most frequently met archetypes in our work is the Caregiver. It leads to characters and brands that can inspire trust and loyalty in the audience. There is a fascinating duality to this archetype typified by its capacity to care. Whenever those under its care are threatened, from the same warm core that holds its kindness, rises a relentless protector.


In this short report, we cover:




Caregiver brands


The Caregiver archetype resonates well with businesses that prioritize its nurturing and caring qualities. Healthcare and wellness industry brands looking to emphasize how they focus on the well-being and care of their patients or customers are easily linked to the Caregiver. We’ve also noticed brands that offer personal care products, like skincare, body care, or beauty products, naturally gravitate toward the Caregiver archetype.


With the Caregiver archetype closely associated with the nurturing and guidance of children, brands in childcare, and education also take to this archetype. Agriculture is another industry that fits seamlessly with the Caregiver archetype. Organizations focused on social services, environmental protection, humanitarian aid, or non-profit initiatives also embody the Caregiver archetype often enough. These brands can emphasize their commitment to making a positive impact on nature, individuals or communities, promoting compassion, and addressing social and environmental needs. Businesses in the pet care industry or those dedicated to animal welfare can embody this archetype for their brands by focusing on the safety, health, and happiness of animals as well. We’ve encountered the Caregiver archetype most often through the hospitality and service industry. Brands in hotels, resorts, restaurants, or travel experience-oriented businesses can emphasize how they take care of their guests creating safe, welcoming and comforting experiences; it’s a perfect fit. This doesn’t mean that a motorcycle manufacturer, for example, cannot be a Caregiver brand. It all boils down to what the business values and aims to bring into this world.


If caring for this world is how you approach your mission, there is a Caregiver in your brand. We use a Brand Articulation Framework to figure this out.


When we work with Caregiver brands, we help them emulate the archetype through what they really do out there as a business—real stories of how the business is affecting communities or places, how processes and raw materials are handled with care, and how a place is loved and cared for.



The Caregiver in stories


A caregiver brand would focus on telling stories that highlight its nurturing qualities. Themes like healing and growth are natural arcs for the Caregiver. Wherever it’s available, we try to draw out stories where businesses contribute to bettering and developing an individual, like a staff member or a sponsored talent, or their community at large. Stories of discovering one's own inner resilience and becoming a strength to others, or inspiring others to lean on their own are also great story narratives for Caregiver brands, showing how they walk their talk in a very authentic sense. Caregiver brands can also focus on stories that involve mentorship and guidance, imparting wisdom, knowledge, and lessons to others; these stories help them establish themselves as pastoral figures who play an active role in consumers’ personal and collective growth. A story theme that we always stress on Caregiver brands to incorporate are those demonstrating how they preserve, contribute or grow; without these stories that evidence the real work of the Caregiver, businesses may come across as disingenuous. We encourage and help our Caregiver clients to tell these stories authentically, sharing the outcomes of their work. In our experience, such stories reinforce Caregiver brands.


Like all archetypes, the Caregiver also has its shadow which is controlling, suffocating and hovering over, preventing the independent development of those under its care. In brand storytelling, we don’t usually bring in these negative aspects of archetypes for obvious reasons; but in our creative work for the Public Works monthly stories subscription, we sometimes delve into the shadow and different Caregiver perspectives like this story of a young woman finding comfort in a place.


If your business takes pride in how its consumers are well taken care of, how its work changes the world for the better or how it builds a place where others can find refuge, the Caregiver resonates with your story. To find out how to tell the story of your Caregiver brand to build a deeper connection with your audience, get in touch with us.



Understanding the archetype


The archetypes we use to model brand personas are from the works of Carl Jung—the Swiss psychiatrist and psychoanalyst known as the father of analytical psychology for his work on the collective unconscious and individuation. The Caregiver archetype is one of the first archetypes described by Jung. The Caregiver archetype represents the nurturing and caring parental aspect of the human psyche. It embodies the qualities of compassion, kindness, selflessness, and a desire to support and care for others and alleviate their suffering.

According to Jung, archetypes are universal, primordial patterns or images that are inherent in the collective unconscious of all humans. They are innate and play a significant role in shaping our thoughts, behaviours, and interactions with the world. Archetypes manifest in various forms, such as myths, symbols, and recurring patterns in human experiences.

The Caregiver archetype is seen in characters in popular culture, through different works of art and fiction, religion and as brands of businesses built on providing service, care or help to people. As humans whose first experience of the world was shaped through our parents, grandparents or other carers whose nurturing and mentorship shaped us, many respond to the Caregiver archetype with a sense of nostalgia, affection and trust, making it very effective for brands that want to establish deep connections with their audience.


Is the Caregiver a gendered archetype?

We don’t think so.


The Caregiver archetype can manifest as masculine, feminine, or non-binary, as it represents a fundamental aspect of human nature that extends beyond gender roles. It’s often associated with the maternal figure who provides comfort, support, and protection. However, the Caregiver archetype also has a paternal aspect that offers guidance, relief and strength. We considered Carl Jung's views on the Mother and Father symbols to get a glimpse into what the Caregiver archetype means to the human mind in its full breadth.

"The mother archetype corresponds to a power that is intimately related to life, that lays down the laws of our whole psychic structure, that seems to determine the course of our lives in advance, and that seems to prepare the way for our future ahead of time."


"The father archetype is responsible for the process of consciousness, for the overcoming of inertia and unconsciousness."


—Carl Jung, The Archetypes and the Collective Unconscious

In classical Jungian terms, the mother symbol is characterized by nurturing, containing, and generative qualities of motherhood—like nourishing, warmth, comfort, fertility and growth. Parallely, the father symbol is a more active and assertive principle dominated by intellect and will, shaping and guiding the mind. We found the mother symbolism connecting the idea of a supreme protector and nourisher, source of life and growth to the Caregiver archetype, while the father adds the strengthening, guiding, and pastoral functions. We think that by understanding the traditionally feminine and masculine parent symbolism and their consolidation, the Caregiver is an archetype that can easily lend itself to masculine, feminine or non-binary personas.

This balance is particularly interesting to understand how the Caregiver archetype is not limited to biological caregiving but also exists as teachers, spaces, growers, healers, guardians, and community figures. To find out how to tell the story of your Caregiver brand to build a deeper connection with your audience, get in touch with us.


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Our monthly stories are productions looking to connect people to the magic of stories.

We create supplementary reading lists as a way to give you an insight into the inspirations and thinking behind our monthly stories. These reading lists take you behind the story, revealing the process of its making.

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Rasa → Hāsyam (हास्यं): Laughter, mirth, comedy. Presiding deity: Shiva. Colour: white, Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow

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ArchetypeRebel

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This story was created with the central character Leela who embodies the shadow side of the rebel archetype. Among the archetypes presented in Carl Jung’s theory of psychoanalysis, the rebel is the one fearlessly heralding change. Also known as the revolutionary, the reformer, the misfit, the maverick and the free spirit, the light side of the rebel archetype is at the frontlines of all historic movements that led to better and fairer distribution of liberty and rights. The rebel archetype is inspiring—moving mountains, facing hard truths head-on and leading to progress that benefits generations; But, in its shadow, this archetype can be tremendously frustrating as troublemakers, provocateurs, and downright outlaws who pointlessly rebel without a cause.


The aesthetic flavor that we chose from the Rasa Theory for this story is comic or hāsya. A secondary rasa was brought in to give the story more dimension and to also work in the most popular mood voted in by our subscribers—adbūtha, or wonder.


In this reading list, you’ll find stories, events, films, and research that connects to the rebel archetype from Jungian psychology and the aesthetic flavor of hāsya.

  • 1940, The Great Dictator, Charlie Chaplin. Charles Chaplin Film Corporation. This iconic movie, released during the years leading up to WW2, struck a chord with many. It carried an important message with Chaplin’s characteristic humor and great writing.

  • 1996, Trainspotting. D. Boyle based on a novel by Irvine Welsh. Channel Four Films, Figment Films, Noel Gay Motion Picture Company. In this memorable scene Mark Renton, played by Ewan Mcgregor, rages on being Scottish with funny and unforgettable wit.

  • Batalanda detention centre was an alleged detention center in Sri Lanka used to torture and exterminate people leading dissent, particularly of the janatha vimukthi peramuna (JVP) during uprising of 1988–1989. The detention center was said to be run by counter-subversive units of the police who were tasked with destroying rebels.

  • The Matale rebellion, also known as the Rebellion of 1848, took place in Sri Lanka against the British colonial government. It marked a transition from the classic feudal form of anti-colonial revolt to modern independence struggles. It was fundamentally a peasant revolt that led to significant changes in how the British ruled Sri Lanka.

  • An article that first appeared as a pamphlet issued in September 1953 by the Lanka Sama Samaja Party of Ceylon. Its author, Dr. Colvin R. de Silva was considered to be one of Asia’s finest orators. Among his published works are a well-known two-volume history, Ceylon Under the British Occupation, 1795-1833, and An Outline of the Permanent Revolution (January 1955)— a basic Marxist training manual.

  • Ashta Bhairavas are eight manifestations of the Hindu divine symbol for time, and change. Their ferocious iconography embodies the merciless nature of time which brings an end to all rules, systems and beliefs made by humans.

  • Orabi Pasha was a famous Egyptian nationalist and military leader exiled to Sri Lanka from 1883 - 1901. Orabi led a national revolt against the injustices of the Turkish ruler Fewfik, who called on the British to protect him. The Egyptians under Orabi fought against the British troops who entered Cairo and occupied Egypt for 70 years. Orabi was arrested and exiled for life in Sri Lanka.

  • Richard de Zoysa was a well-known Sri Lankan journalist, author, human rights activist and actor, who was abducted and murdered on 18 February 1990. His murder caused widespread outrage inside the country, and is widely believed to have been carried out by a death squad linked to elements within the government.

  • The caricatures of Gaganendranath Tagore, an artist of rare talent, stand out as satirical commentaries on emerging classes, religious systems, and society in general. Gaganendranath experimented with many styles throughout his life. Picking elements from Japanese brushwork to cubism, but always filtering them through his own take, Gaganendranath Tagore’s humorous caricatures suggest a refusal of affiliation.





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