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Updated: Aug 11, 2023

Forgive me world for all my little jokes, and I'll forgive you for this great, big one. This statement based on a line from the work of Robert Frost sums up the spirit of the Humorist. The light-hearted wisdom and the infectious joy of the Humorist make it one of the most popular archetypes loved by all.


In this short report, we cover:


Understanding the Humorist

Humour as an aesthetic quality


Humorists will tell you that everything is perspective. In their shape-shifting genius for using the moment, Humorists can flip even the most terrifying truths into angles so absurd that you take them in effortlessly, often while laughing. Infectious and beloved, Humorists bring joy to the downhearted, colour this world fun, and puncture rigidity with unabashed playfulness. They simplify and lighten things up, changing perspectives with remarkable dexterity, cunning, and cleverness.


The Humorist is the personality archetype that builds connections through fun, laughter and joy. Humorists can be both chaotic and helpful, blurring the lines between good and bad; in fact, boundary-crossing is very much in their comfort zone. The Humorist operates within a spectrum going from cheerful, joyous, funny, mischievous and irreverent, to downright obnoxious. 


Although known as the fool, the jester, the trickster, clown, prankster, and through many other names, we call this archetype ‘the Humorist’ to avoid biases. The Humorist is at the base of brands and characters that build connections through laughter, joy, and play. Humorists can break down walls between people even in the most tense situations. It’s one of the most universal archetypes, appearing in stories, fairytales, folklore, and fables belonging to all cultures in the world. Famous examples include Loki from Norse mythology, Krishna from Hindu stories, Kitsunē from the far east, coyote from indigenous American culture and the jackal from South Asian folklore.


“He [the Humorist] is a forerunner of the saviour, and, like him, God, man, and animal at once. He is both subhuman and superhuman, a bestial and divine being, whose chief and most alarming characteristic is his unconsciousness… He is so unconscious of himself that his body is not a unity, and his two hands fight each other.” — Carl Jung, C.W. Vol. 9.1: On The Psychology of the Trickster Figure


We discovered the Humorist archetype from the twelve human personality archetypes derived from the works of Carl Jung. Jung's theory of archetypes is a concept from his analytical psychology that suggests that there are universal, innate, and symbolic patterns or themes in the collective unconscious of humanity. These archetypes are fundamental elements that shape human experiences, behaviors, and emotions, and they often appear in myths, dreams, and cultural narratives. When it comes to branding, Jung's theory of archetypes can be applied to create consistent brand identities that connect with audiences at an emotional level; they’re particularly useful to build storytelling frameworks. We help businesses that want to connect with their audience through a sense of humor, laughter and good cheer to incorporate the Humorist archetype into their stories.


The core of the Humorist

The Humorist is the personality archetype characterized by fun. It also has traits such as cleverness, mischievousness, unpredictability, and a tendency to challenge what’s considered sensible and civil. They often use humor, wit, and cunning to outsmart others and navigate difficult situations. 


In society, Humorists also hold an important revelatory function. Consider the universal role of the court jester—a cultural figure who, both in the East and the Wester, had the sacred and dangerous role of voicing to the monarch what others could not. Humorists have a knack for playing between what is and what ought to be and subverting established interpretations. 


Humorist identities build strong associations with humor, play, fun, and happiness. When it comes to brand storytelling, these associations become important considerations to decide how a brand may want to connect with their audience.


For all our superior intelligence, reason, science and logical methodology, there comes a point where those bridges no longer continue; where the unexplored viewpoints lie beyond our sensibilities. This is the domain of the Humorist.



Humorist brand stories

Stories for Humorist brands can, obviously, be funny. Making their audiences chuckle, these stories carry the infectious energy of Humorists, making them highly shareable and engaging. But, those are not the only kind of stories that are appropriate for Humorist brands. This archetype is known for its ability to be in the moment, keep their minds free of worries and stay light. Stories that capture this mindset suit Humorist brands really well, and are particularly useful for businesses that may want to maintain a degree of seriousness; the wisdom of the Humorist, of being mindful and in the moment,  can help lift audience moods and establish a meaningful connection. Stories that channel happiness and induce simple joy are also typical of Humorist brands.


We think the type of humor appropriate for a brand should weigh on several factors; like its values and the other key brand archetypes. For example, a brand with a Humorist-Sage archetype pairing may lend to stories that bring in wit and language manipulation with clever wordplay, puns, and linguistic twists that highlight the intellect, sharp thinking and tact. 


A Humorist-Rebel archetype pairing in a brand will do well with stories that bring in satire and social commentary that basically adds fuel to the fire with both archetypes’ tendency to criticize and mock societal norms, behaviors, and authority in general; these kinds of stories can even take more serious tones despite the humor, if they are designed to provoke thought and encourage change. The Humorist-Creator archetype pairings effortlessly lead to stories that highlight both archetypes’ ingenuity; sarcasm and irony that reveal the disparity between the words spoken and the intended meaning. Absurd, surreal, bizarre or nonsensical situations challenging conventional logic and reality are true to the Humorist-Magician pairing, building whimsical joy and wonder in the audience. Remember, these are not hard-and-fast rules, but patterns and norms we’ve observed in our experience with brand identities and stories; each brand needs to be considered in its own right and context.


In our work, we’ve had to apply the Humorist archetype to completely different brands from furniture retailers to restaurants, and yoga gurus to artists. We’ve found that the Humorist archetype lends to brand identities that are quirky and fun, as well as those that come across as wise or joyous. 


Humor as an aesthetic quality; the hāsyam rasa


We have to make a special note about brands without a Humorist archetype adopting a sense of humor in its stories. As part of the universal human spectrum of emotions, humor is accessible to all types of personas. However, it needs careful consideration and we recommend all brands consider their values and key traits of the identity before they jump on the next trend of funny videos. If you’re bringing humor in as a tactic to build engagement with your story, we find it's particularly important to consider the audience's preferences and cultural context. This will help you decide what kind of humor your story should incorporate. For example, making fun of yourself lends to creating a quirky and endearing connection with the audience, while finding humor in the mundane aspects of life usually adds to building shared experiences and relatability. 


Consider your brand carefully before incorporating humor into your stories. Wondering whether your brand’s humor should be dark or induce amusement through the second-hand embarrassment of cringe? Start by asking why you want to use humour in the first place. If the answer is for engagement or that funny trend that seems to get more views, make decisions considering your audience and their culture. If the answer is that you think your brand may actually be a Humorist and humour should become a dominant aspect of your storytelling, it’s probably time to unpack this with a Brand Articulation Framework.


Humor is a great connector and a leveller. This definitely makes it a fantastic way to link with your audience. For brands, being funny is worth consideration in all seriousness.









Updated: Oct 22, 2023

Humor is serious stuff. It exposes hypocrisy, punctures egos, and reduces rigid prejudices into laughable ideas. Humor is cathartic when it brings us to laugh at ourselves; within the safety of a joke, we’re able to address shame, fears, and pain that would otherwise haunt us.





I thought a lot about the relationship between humans and humor when, recently, the local standup comedian Nathasha Edissooriya got arrested for making a joke involving religious characters. In a country where freedom of expression is openly obstructed, media routinely censored, activists harassed, and journalists imprisoned, Nathasha’s arrest shouldn’t have surprised anyone. But, the incident dominated the public psyche for weeks, and freedom of expression became a topic fiercely debated all over local media and social circles. Why, though? Why did arresting a comedian trigger so much shock? Why does harming a humorist almost always create shockwaves?


I find humans reserve a sacred space for humor—whether consciously or not. People holding humor in a sacred sense can be seen in cultural and historical contexts from rituals, comedic or trickster deities, sacred texts, and taboos, to healing practices. The jester could get away for joking about uncomfortable truths to the king or queen where others would get executed for it. We laugh at comedians' banter about race, sex, religion, and politics—the very same topics that get family and friends at each other's throats within minutes. Even in Nathasha’s case, I think what shocked most of us was that it publicly penalized the comedic act that society had long maintained as relatively free of judgment.





Humor builds relatability into stories. In our experience, humor brings more engagement to stories and makes them more shareable. The feel-good happiness of humor is naturally contagious, and we find people tend to mimic this practice even online, with stories carrying humorous aspects being the most widely consumed and shared.


When it comes to commercial storytelling, we carefully weigh out a brand’s identity before we consider a humorous story. Humor is certainly a significant part of identity. Inside jokes in close-knit groups and senses of humor that are very specific to cultures and communities show just how intrinsic humor is to identity. But, it’s not for everyone.



I recently saw a think tank highly respected for being insightful, accurate and informative publishing a series of off-brand Tik-Toks and Reels. The stories were obviously tagging onto a trend of funny dancing. But, it was damaging to the brand. I watched their user interaction long enough to notice that this reduced engagement. As part of their audience, I was well aware that the great quality of the think tank’s insights and information hasn’t changed in any way; but, I found myself trusting them a little less. It was an emotional response in spite of my better judgment to not gauge an entity only by their social media presence. I see this happen to brands that simply appropriate humor without interpreting their message to naturally bring out humor from it. If that think tank used wit in a way that highlighted their intellect, for example, it would’ve been perfectly on-brand while still being funny.


A client brand with a fun sense of humor is ApiHappi—the Sri Lankan bean bag makers. When we do commissioned stories for them, I work closely with their founders to bring in the brand’s characteristic sense of humor between sass and sarcasm (I have to mention that being good friends with them lends an unfair advantage here). But, channeling the Humorist isn’t just about being funny; two other Humorist brands we worked with reflect this archetype very differently, through their inherent sense of joy: Arlene Dubo Studio—a Canada-based artist whose vivid works and approach to life both reflect a joyful sense of play and Shanti Faiia—yogi, meditation guru and healer from the UK, whose work involves cultivating happiness and lightness.


At the heart of humour, no matter how dark or sardonic, is a glow of joy. Humour discards the hopelessness of life with a joyful outlook. This sense of joy at the root of humour is infectious. It's also essential. We need humour to survive this absurd world. To find out if humor is a strong part of your brand identity through a Humorist archetype, or a viewpoint adopted when appropriate as hāsyam rasa, drop us a message. Our storytelling tools are designed to help people tell stories that strengthen their brands. Curious about how our Brand Articulation Framework can help your personal or business brand? You can read more about it here.


Want to know more about our storytelling process?






Updated: Aug 31, 2023

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We create supplementary reading lists as a way to give you an insight into the inspirations and thinking behind our monthly stories. These reading lists take you behind the story, revealing the process of its making.



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Archetype → Humorist

Rasa → Kārunyam


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July 2023


Artistic expressions channelling archetype in rasa


  • The Humourist in Karunyam seems to adopt a light-footed approach to difficult truths. What are the artistic characteristics of a story that eases and lightens the tension brought on by a difficult subject matter? It’s difficult to say because there seem to be two polar opposite approaches to art directing such a story. On one side there seems to be an affinity for nostalgic or classic bygone eras; and on the other hand, we see a lot of childlike imaginary worlds. If we had to identify a particular trend amongst the examples below; a popular approach to working with the humourist archetype in this rasa, is their ability to be funny at their own expense; in other words, they don’t take themselves too seriously.

    1. The Tu Vuo' Fa' L'Americano song from the 1958 Italian film Toto, is an example of charm and rhythm being used to evoke the rasa. The Lyrics playfully reference American stereotypes.

    2. Another example of this soft playful storytelling is the 1986 Paul Simon video (and song) You Can Call Me Al, directed by Gary Weis. Here two narratives are happening simultaneously; crossing over one and other at the same time. The colour palette, comical contrast in size between Paul Simon and Chevy Chase, their matching clothes and their childish playful interactions combine, illustrate this archetype and rasa appropriately.

    3. We couldn’t unpack this archetype and rasa without mentioning Bobby McFerrin’s 1988. Don't Worry Be Happy; a video and song that both embody the easy-breezy ramble of the Humourist in Karunyam.



Published ideas of archetype in rasa


  • 2010. The Trickster. H. Bloom, B. Hobby. Bloom’s Literary Themes, Infobase Publishing: The figure of the Trickster is all but universal in the world’s cultures, and generally emerged from shamanistic origins. Folklore and anthropology are essential to the study of the Trickster. This is a volume about the literary theme of the trickster.


  • 1942. A. Camus. The Myth of Sisyphus and Other Essays. translated by Justin O'Brien. New York: Vintage Books. Translation originally published by Alfred A. Knopf, in 1955. Originally published in France as Le Mythe de Sisyphe by Librairie Gallimard: One of the most interesting thought seeds connecting to the wisdom of the humorist archetype comes through the works of Albert Camus and his philosophy of absurdity. In ‘The Myth of Sisyphus’—where he compares our human existence to the story of the Greek king condemned to roll a boulder uphill for eternity as punishment for his attempts to defy death—Camus suggests that life is, in fact, meaningless. He also suggests that finding joy in life’s meaningless struggle is the only way to overcome the absurdity of the situation. As Camus puts it: “One must imagine Sisyphus happy.” Maybe, we are Sisyphus. And maybe, we are shouldering a pointless boulder up a mountain. But what if, meaning is what’s encountered when going up the mountain laughing?


  • 1880. Don Quixote. Miguel de Cervantes Saavedra (Translated by John Ormsby, 1997). The Project Gutenberg: Don Quixote’s initial reception in the Seventeenth Century was as a work of humour; Cervantes’ ability to reflect and imitate reality through the ironic juxtaposition played a focal role in driving the plot. However, humour’s level of importance becomes clouded with time, as the novel’s distinct link to the circumstances in which it was created and the effects of cultural change could perhaps affect its level of significance in the modern mind. Over time, the humour of this classic story becomes less important than the moral values and literary instruction offered and becomes a vehicle through which the author was able to satirize the overstated chivalric romances of the time and engage with topics of importance.


  • 2023, Live to laugh; unpacking the Humorist. Public Works. What role does the Humorist play in society and how can Humorist brands connect with their audiences through this understanding? This post by us at Public Works is primarily to help our clients understand the Humorist archetype in relation to their business; it sheds some light on the Humorist and how it can be brought out through brand storytelling.


  • What is the effect of humour on memory recall? Does humour or laughter influence memory; does mood influence the effects of humour? Co-authored by Tunku Saraa-Zawyah Tunku Badli and Mariam Adawiah Dzulkifli, of the Department of Psychology, International Islamic University Malaysia, Kuala Lumpur, Malaysia.


  • Professor Bernard Chazelle (Eugene Higgins Professor of Computer Science) of Princeton University, examines the relation of humour to power. Particularly how humour, whether hurtful or not, can be inextricably tied to a sentiment of superiority, in addition to questioning the liberating power of transgressive comedy, and identifying that it is self-awareness that allows us to inject ourselves into the narrative of humour; through the power of reflexivity, humour itself has become the unassailable force.


  • Hynes and Doty, in Mythical Trickster Figures (1997) state that every trickster has several of the following six traits:

    1. fundamentally ambiguous and anomalous

    2. deceiver and trick-player

    3. shape-shifter or master of disguise

    4. situation-inverter

    5. messenger and imitator of the gods

    6. sacred and lewd bricoleur




Characters channelling archetype in rasa


  • In the 1985 American black comedy mystery film Clue, (based on the board game), directed by Jonathan Lynn, Colleen Celeste Camp plays Yvette the Maid, a young and rather jiggly housemaid. Her costume dress is skimpy, and revealing, and is noticed by most in the story, yet she plays the part without noticing much; she seems to pretend to not notice her obvious presence.


  • 2009, The Invention of Lying written and directed by comedian Ricky Gervais and writer Matthew Robinson in their directorial debuts. The film stars Gervais as the first human with the ability to lie in a world where people can only tell the truth; it plays on the Humorist’s ability to flip ideas and facts and manipulate the truth to their advantage.


  • 2003. Captain Jack Sparrow, Ted Elliott and Terry Rossio. Walt Disney Pictures

    1. This character is particularly noteworthy due to its role in the story. Pirate of the Caribbean director Gore Verbinski admitted, "The first film was a movie, and then Jack was put into it almost. He doesn't have the obligations of the plot in the same ways that the other characters have. He meanders his way through, and he kind of affects everybody else." Additionally, his character is what is called an “Honest Thief”; it’s an oxymoron often used to empathize, and sometimes legitimize a character’s behavior. Pushed further to one end of the archetype and rasa spectrum, can be made into a sort of anti-hero or rebel-ruler.

    2. Interestingly, the honest thief is what Dave Chapelle calls Donal Trump in his 2022 SNL monologue.


  • In a story we posted in March 2020, we discussed the Hindu god Krishna as a complex deity, who embodies the divine trickster. These tales about Krishna display characteristics associated with the trickster archetype that uses deception and guile to achieve goals, but also challenges our set ideas and shallow greed by pushing us to laugh at what we hold sacred.


  • Who can reconcile the absurdity of life? Perhaps it is those who don’t know they are absurd who can make sense of it. These are the unaware silly characters who can stumble through life with grace. The Tramp was English actor Charlie Chaplin's memorable and iconic humourist archetype is a testament to the role of this archetype in popular culture, particularly in terms of identifying moral issues. A childlike, bumbling but generally good-hearted character that can transcend societal norms and reveal difficult truths.


  • On the other hand, some know the world is absurd, and find a way to play with it. In the 1986 teen comedy film, Ferris Bueller’s day off the story is narrated by the trickster side of the humourist. Here, the character regularly breaks the fourth wall to explain his idea. The internal monologue is both Veeram and Kāruṇyam, but it’s the later note that makes his high school slacker behaviour charming.


  • The 1991 award-winning film The Fisher King, written by Richard LaGravenese and directed by Terry Gilliam, illustrates the two types of humourists in partnership with the complimentary archetypes Rebel and the Ruler.



Channelling the archetype in rasa for business


  • A company that embodies the effectiveness of using humor as a tool to gain approval, it’s Dollar Shave Club. With 28 million views and 152 thousand likes, it’s clear the strategy is popular. In the first 48 hours after the video debuted on YouTube, some 12,000 people signed up for the service. Aside from some Google ads, there has been no other marketing.



  • As an example of a hugely meaningful humourist and Karunyam is the 2011, Australian Metro Trains public campaign: Dumb Ways To Die, to promote railway safety. This story was made to remind metro train passengers to be mindful while using the transportation system; ten years later, in 2021, was acquired, as a franchise for $2.25 million, by PlaySide Studios.


  • Ryan Reynolds' Vasectomy promo video for Aviation American Gin is an example of the humourist speaking in a way that shows compassion. The ending further illustrates the point; He stirs the cocktail, samples it, and says, "Now that is as refreshing as fatherhood." His persona has Karunyam qualities flipping the meaning from a metaphor to a euphemism for the fatherhood experience.



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