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Our monthly stories are productions looking to connect people to the magic of stories.

We create supplementary reading lists as a way to give you an insight into the inspirations and thinking behind our monthly stories. These reading lists take you behind the story, revealing the process of its making.

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Rasa → Śāntam: Peace or tranquillity. Deity: Vishnu. Colour: perpetual white. Śṛṅgāraḥ (शृङ्गारः): Romance, Love, attractiveness. Presiding deity: Vishnu. Colour: light green


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ArchetypeCaregiver


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Although loving ourselves is easy to dismiss as self-help book junk material, it's at the root of learning to care for anyone or anything else. Self-love, when explored beyond the self-help fodder, is quite a difficult form of love to cultivate without conflicting with widely accepted ideas of humbleness, selfishness and what it means to be part of society.


It’s a form of love that calls us to be blatantly truthful, which opens the potential for it to become deeply uncomfortable. But, what does, after all, loving ourselves even mean— particularly if we’re aspiring to be unselfish and generous, and to outgrow the ego bubble that we’ve grown accustomed to calling the self? Why is it more natural to some people than others? What happens when self-love manifests in its physical expression conflicting with our deep-seated guilt and shame of selfishness?


The December 2022 monthly story explores some of these ideas through a character and a fictitious place. Together they channel ‘the caregiver’ archetype from Jungian psychology which we use as a storytelling tool. From another storytelling tool we use—the eastern performance art theory of Rasa, this story was constructed with the moods sāntam (tranquillity) and undertones of sringāra (desire).


This reading list will take you through the ideas, incidents, people, films, music and research that inspired us through the making of this story.



December 2022


  • Autosexuality was coined by sex therapist Bernard Apfelbaum in 1989 to refer to people who have trouble being turned on by someone else sexually. But, feeling turned on by yourself is common; some experience it more like an orientation, feeling more aroused by themselves than by others.


  • In the cautionary Classical Greek myth of Narcissus, we are given an insight into the dangers of solipsism and self-obsession. Narcissus, the son of the river god Cephissus and the nymph Liriope, was prophesied to live to old age, only if he never looked at himself. He gained many female admirers, entranced by his beauty, but rejected them all. Narcissus falls in love with his reflection, having chanced it in a river, at which he stared until he wasted away, and died. The word ‘narcissist’ derives from this story.


  • There is an almost immediate and automatic connection assumed between autosexuality and narcissism, for obvious reasons. But, the two are very different behaviours, almost contradicting one another. So, no—autosexuals are not necessarily narcissistic. Autosexuals are more comfortable in their own company, unlike narcissists who crave outside attention & constant validation. Autosexuals can be pleasers & daters who still prefer private personal sexual experiences, which contrasts with narcissism. Auto sexuality starts with self-consolation & going out alone before it becomes a preference.


  • 2013, Archetypes: A Beginner's Guide to Your Inner-net, Caroline Myss, Ph.D. : Archetypes are universal patterns of behaviour that, once discovered, help you better understand yourself and your place in the world. In this book, Myss writes about ten primary feminine archetypes that have emerged in today’s society: the Caregiver, the Artist/Creative, the Fashionista, the Intellectual, the Rebel, the Queen/Executive, the Advocate, the Visionary, the Athlete, and the Spiritual Seeker.


  • 2015, I arranged my own marriage; Arranged marriages and post-colonial feminism. Pande R., Newcastle University: This study of the practice of arranged marriage among women of Indian, Pakistani and Bangladeshi origin resident in Britain is interesting because it examined the traditional approach to nuptials within a very different cultural context which is the UK diaspora. It examines the conflation of arranged marriages with forced marriages and the assumption that arranged marriages are examples of cultural practices that thwart individual agency.


  • When the stunning gold-gilded, brass statue of Tara arrived at the British Museum from Sri Lanka, it was seen as too dangerously erotic and voluptuous for public display; and it could be viewed only by scholars on request. But, Tara is a religious being, from Sri Lanka’s old Buddhist tradition that has no difficulty in combining divinity and sensuality—a concept perhaps alien to many cultures like those in Britain and even to current post-colonial Buddhist culture in Sri Lanka.


  • 2010, Turquoise in the Life of Native Americans, Oksana Y. Danchevskaya Moscow State Pedagogical University, Proceedings of the Eighth Native American Symposium: In many ancient philosophies connecting minerals to self-healing, turquoise holds a particularly revered place. Turquoise is believed by many energy healers as the stone for self-care because of its ability to induce self-forgiveness and self-acceptance when a user achieves resonance with the natural vibration of the mineral. Native Americans’ ideas about the metaphysical properties of the turquoise stone may have played a significant role in developing this reputation around the mineral as an element of self-care.


  • 2019, Objects of Despair: Mirrors. Meghan O’Gieblyn. The Paris Review: No common object has inspired obsession and satisfaction as much dread, confusion, and morbid anxiety as the mirror. Ever since their invention, mirrors have shaped our idea of the self, self-worth and identity to startling degrees.

  • Caribbean poet and playwright Derek Walcott—the 1992 Nobel laureate and a writer of such extraordinary poetic prowess—addresses the beauty of self-love in a poem titled “Love After Love,” found in his Collected Poems: 1948–1984 (public library). On an archival On Being episode titled “Opening to Our Lives,” mindfulness pioneer Jon Kabat-Zinn reads Walcott’s masterpiece—undoubtedly one of the greatest, most soul-stretching poems on self-love ever written.


  • 2021, Abdallah Ghazlan, Tuan Ngo, Ping Tan, Yi Min Xie, Phuong Tran, Matthew Donough. Inspiration from Nature's body armours – A review of biological and bioinspired composites: Mother-of-pearl, or nacre which forms pearls, is key for some shellfish to protect and care for themselves; it’s one of the most fascinating and beautiful protective materials in nature. Mother-of-pearl makes up the inner shell lining of pearl mussels and some other mollusks. Pearls themselves are made of the same material. Scientists have been studying how molluscs use this material for self-care and protection so that we can understand its extraordinary resilience and shielding quality. Some of these findings could help create a blueprint for engineering tough new materials in the laboratory.




Updated: Aug 9, 2023


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Image Angela Roma

Archetype → Caregiver

Rasa → Śāntam: Peace or tranquility. Presiding deity: Vishnu. Colour: perpetual white.

Śṛṅgāraḥ (शृङ्गारः): Romance, Love, attractiveness. Presiding deity: Vishnu. Colour: light green,

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As Jamila stepped onto the cobblestone floors, a reassuring composure welcomed her. It was her favourite villa at the old Dutch fort. Although a sunny April sat outside, it felt as if she had just weathered a storm. Feeling her phone vibrating again, Jamila held down the power button without looking at the screen. Her former fiancé, his family, and her family drove her crazy—collectively and individually. She just had to shut them out.


Jamila drank in the space hungrily while being checked in. It was a spectacular seventeenth-century hospice building turned into a villa. Although she had covetously dined at its restaurant, and religiously liked every single picture that they posted, Jamila had never stayed here before. In fact, she had never stayed anywhere alone before. Her right leg shuddered, twitching unstoppably under the reception desk. The old hospice walls reassured her that everything will be alright. Surrounded by its wizened beauty—holding the centuries within limestone pores, bearing countless stories of broken minds and bones that healed between these walls—Jamila couldn’t help but trust this place.


As soon as left alone in the room, she turned the bathtub tap on and started to undress. Jamila watched her own body emerge from the clothes. She took herself in the mirror; reflection of the familiar, yet unfamiliar woman in the mirror. She pressed her hand on the arm just to make sure. Yesterday, she was soon to be wedded to someone everyone else thought was good for her. Today, she was someone who sold her engagement ring and rented a room alone at her favourite villa. She pressed her bare feet against the old cobblestone bathroom floor. The high window snuck in a streak of southern sun that fell on her hair making it shine black-bronze. 'You're worth it', a gentle thought permeated from the tranquility of the old place.


Then, with an incredible release, Jamila wept.


As the pain receded, Jamila felt comforted by the old walls surrounding her with their limestone warmth. The water fell into the tub in a gentle dialogue of liquid and metal, as if to reassure her.


Finally emptied, Jamila wiped her face and turned the tap off. She lowered herself into the bathtub and felt the warm water surround her with liquid grace. Jamila realized that her insides had been brewing a storm since the arranged marriage was confirmed last year. And, when it finally broke out in lashing rains and thunder yesterday, she called off the engagement and didn’t return home to her parents after work. She came to the villa instead. Coming dangerously close to getting locked into a default life that wasn’t hers, Jamila understood that without making room for what she really wants, there will never be space for happiness. But, now what? Jamila had no answers.


Everything will be alright, all in due time; the old limestone walls assured her.





The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.



Updated: Apr 30, 2023

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Our monthly stories are productions looking to connect people to the magic of stories.

We create supplementary reading lists as a way to give you an insight into the inspirations and thinking behind our monthly stories. These reading lists take you behind the story, revealing the process of its making.

-


ree

Rasa → Śṛṅgāraḥ (शृङ्गारः): Romance, Love, attractiveness. Presiding deity: Vishnu. Colour: light green, Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow

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ArchetypeCreator

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The call of creativity; it’s what makes you secretly believe in worlds that don’t exist. It’s the call that rises within you, despite reality, despite improbability or even impossibility, and even despite you. It’s the voice that tells you that it isn’t only because it wasn’t believed in. The urge to create is the call to take part in the play of life embedded in our DNA through the course of evolution and time. It’s what reveals to you a world that no one else can see but so close to the grasp of your hands only; a world that doesn't exist until you decide that it must be.


This is the first of a story series exploring human desire. This story is told as seen by Paul— a character modelled after the creator archetype used in our storytelling. The core desire of this archetype is to colour the world with their imagination brought to reality. The desire to create is one of the most primeval in us humans, deeply connected to the longing to leave a mark on our world, and contribute some sense of order to it—whether as beauty, ease or other means. This story explores that desire and how a creator, even when put in a completely different reality, will always reencounter this call to create as an inherent part of their way of making sense of this world.


The setting of the story was inspired by many ideas, individuals and events that you can find through this reading list.

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October 2022


  • 2020, Dianne Chisholm. Biophilia, Creative Involution, and the Ecological Future of Queer Desire: Ecophilia is part sexual fetishism part activism; it’s allowing yourself to feel sensations connecting to the earth’s raw, pervasive sweetness; a celebration of that deeply biophilic connection to all life.

  • 2018, Introduction to Sanskrit Chanda. M. Howladar Ph. D, Department of Sanskrit, Sidho-Kanho-Birsha University, Purulia, West Bengal: Any composition with a musical sound is called Chanda. Chanda has been one of the Vedāṅgas since the Vedic period. Vedic verses are composed in several Chandas. The number of main Vedic Chandas is seven and corresponds to the seven colours in white light with the seven wavelengths. The study of Chandas is elemental to eastern ideas of rhythm.

  • 2021, Simon Blackfoot, Colombo: This personal memoir of discovering a popular idea of divinity from a new culture exposes how people from different parts of the world can relate to the same ideas through experience.

  • 2020, Investigating, identity; the body in art. The Metropolitan Museum of Arts, New York: Many artists explore their creativity through representations of the body and by using their own bodies in the process. This is because the human body is central to how we understand facets of identity such as gender, sexuality, race, and ethnicity. This story by the MoMA unpacks the body as a loaded creative muse.

  • 2017, Daniel Kunitz. How art has depicted the ideal male body through history, Artsy: The ideal depiction of the male body has been linked to showing class and wealth as much to physical beauty per se. This story captures the evolution of depicting male beauty.

  • The Hindu solar deity is often connected to the ideas of prosperity, masculine beauty and abundance. Surya is worshiped in several countries in South Asia from India to Sri Lanka through their agrarian histories.

  • The duality between light and dark has always inspired creators in the artistic representations of good and evil. The beauty of light and shadows has been extensively used in literature, art and theatre as a potent symbol for opposite poles of morality. But, this symbolism is also the root of very problematic concepts connected to race and hierarchy.

  • Exotica—a musical genre stemming from the fantasy of the exotic islands— reveals the ideas of faraway paradise in the world during the 1940 and onward. The general use of the word ‘exotic’ also bears this idea now.

  • Western artists' depiction of the eastern world came to be identified as an ‘ism’ of its own as Orientalism in art history, literature and cultural studies.

  • 2008, Vicky Cristina Barcelona. Woody Allen. Warner Bros. Pictures, Metro-Goldwyn-Mayer: A story of two American women, Vicky and Cristina, who spend a summer in Barcelona, where they meet an artist, Juan Antonio, who is attracted to both of them while still enamoured of his mentally and emotionally unstable ex-wife María. The story depicts how people are often enamoured by new places and cultures to the point of blindness.

  • 2005, Saraswatī. Pradeep Kumar Gan Dr. Sanjeeb Kumar Mohanty. Odisha Magazine: This short paper introduces Saraswatī—the goddess of the arts and learning according to Hindu beliefs.

  • Saraswati means ‘she of the stream, the flowing movement’, and is a natural name for a river; but it also means eloquence and the power of speech, as also a movement of inspiration. This account of the Indian saint Aurobindo’s vision of Saraswatī allows us to see a personal vision of the goddess as seen by a devotee.

  • 2021, Public Works. Public Works Publishing, Colombo: Laki Senanayake was an artist like no other. This personal memoir of Laki was written on the day of his passing; it captures what it meant to live a creative life, the Laki way; wild, genius and practical.

  • The Nobel laureate and Chile’s all-time literary great Pablo Neruda spent some time in Sri Lanka working for the consulate in the late 1920s. He made friends with Colombo’s artistic circles and spent most of his time here finding inspiration for his literary works in the natural abundance of the island. However, his memory is tarnished by a confession of a rape recorded in Neruda’s personal memoirs; there are many layers to this story; 1. Understanding Neruda’s life in Ceylon 2. A personal account of a lover of Neruda’s poetry trying to make peace with his act of rape in Ceylon 3. A fictional story of Neruda’s half-Sri-Lankan daughter born from the rape and, 4. The sad and more likely story of what happened to Neruda’s victim Thangamma





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