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Ai Weiwei, Kaws, and The Clash stand as cultural rebels challenging the status quo through art and music. Ai Weiwei's dissent against Chinese policies, Kaws' subversion of mainstream symbols, and The Clash's punk defiance weave a contemporary rebellion narrative. Beyond borders, hunger strikes echo the rebel archetype, resonating with Mahatma Gandhi's nonviolent resistance spotlighted in "Veeram." Characters in "Hackers," "Fight Club," and "The Hunger Games" embody rebellion against societal norms, while Adbusters, Apple, and Benetton embrace the rebel archetype in their business narratives, challenging and reshaping societal dialogues on a global scale.


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Archetype → Rebel

Rasa → Veeram


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January 2024


Artistic expressions channelling archetype in rasa

  • Ai Weiwei's art serves as a powerful tool for dissent, challenging the Chinese government's policies on human rights, censorship, and political corruption. Particularly his art installations carry deep symbolism and political messages. They critique traditional Chinese culture and push the boundaries of what is acceptable within the societal framework. For example, his use of traditional Chinese materials subverts their conventional meanings to convey dissent; they become a form of language to communicate dissent and rebellion. Ai Weiwei has faced personal risks, including imprisonment, for his provocative art challenging the Chinese government. His willingness to endure such consequences underscores his commitment to the cause.

  • Artists like Kaws engage in subversive practices that challenge mainstream culture. While Kaws is not traditionally associated with political activism, his art disrupts and reinterprets popular symbols. It challenges the established narratives around iconic characters. By altering recognizable symbols, he prompts viewers to reconsider their preconceived notions about these figures. Kaws started his career as a street artist, creating unauthorized interventions in public spaces. This roots his work in a form of cultural disruption akin to the rebel archetype's challenge to authority. 

  • The Clash emerged during the punk rock movement of the 1970s and early 1980s, a genre known for its rebellious attitude and DIY ethos. They embodied the rebel archetype through their music, lyrics, and overall ethos. Their work resonated with a spirit of defiance, challenging societal norms and advocating for change. lyrics often delved into social and political issues of their time. Songs like "London Calling" critique the state of the world, addressing concerns such as nuclear threats, social unrest, and the impact of media. The band consistently took an anti-establishment stance, expressing scepticism toward authority and institutions. Their song "White Riot," for example, reflects a call for rebellion against racial tensions and the prevailing system. "Combat Rock," one of The Clash's most successful albums, features the rebellious anthem "Rock the Casbah." The song protests against cultural repression and celebrates the liberating power of music.


Published ideas of archetype in rasa

  • The 2021 article “Anatomy of a Hunger Strike” discusses hunger strikes as a form of protest. It outlines the risks and impacts on the human body during prolonged hunger strikes, emphasizing the potential physical and mental harm that hunger strikers face. The rebel archetype, as portrayed in "Veeram," and the individuals engaging in hunger strikes share some common themes related to defiance against authority, sacrifice for a cause, and a willingness to endure physical and psychological hardship.

  • The rebel archetype often involves defying oppressive forces. In Veeram, if the protagonist resists tyrannical rule or challenges societal injustices, it aligns with the archetype's spirit of rebellion against oppression. The 2019, National Geographic article titled: “How Mahatma Gandhi changed political protest” explores the life and legacy of Mahatma Gandhi, focusing on key aspects of his journey as a leader and advocate for nonviolent resistance across the globe.

  • "No Logo: Taking Aim at the Brand Bullies" by Naomi Klein explores the impact of globalization on corporate practices and the rise of powerful brand-driven culture. The book critiques the branding strategies that dominate the consumer culture, exposing the negative social and economic consequences of a world increasingly defined by logos and corporate power. Klein advocates for grassroots resistance and social activism to counter the influence of these "brand bullies" and promote a more just and ethical global economy.


Characters channelling archetype in rasa

  • The main plot of "Hackers" involves Dade Murphy and his group of friends uncovering and exposing a conspiracy involving a malicious hacker and a corrupt corporation. Dade, also known by his hacker alias "Zero Cool" and later "Crash Override," throughout the story continues to defy authority figures, including law enforcement, corporate entities, and schools. Dade's character embodies individualism and an anti-establishment sentiment. 

  • In "Fight Club," both Tyler Durden (a charismatic and anarchic figure who represents a rebellion against consumer culture and societal norms) and The Narrator, also referred to as Jack, (a cog in the consumerist machine, rebels against his dissatisfaction and disillusionment with modern life) can be seen as embodying aspects of the rebel archetype, although in different ways. His journey involves a psychological and existential rebellion against his own identity and societal expectations. While Tyler Durden is often considered the more overtly rebellious and anarchic character; his actions can be interpreted as a form of sacrifice for a perceived greater good or a radical reset of society.

  • Katniss Everdeen, in "The Hunger Games" trilogy, rebels against the oppressive Capitol in the dystopian world of Panem. Throughout the series, she makes personal sacrifices for the sake of the rebellion and ultimately becomes a symbol of resistance. Her willingness to sacrifice herself for others aligns with the heroic sacrifice within the rebel archetype.


Channelling the archetype in rasa for business

  • The Adbusters Collective is a media foundation known for its anti-consumerist campaigns and subversive artwork. They engage in culture jamming by creating satirical advertisements, encouraging people to question the influence of corporate branding and consumer culture. This parallels the rebel archetype in challenging established norms and resisting the influence of powerful entities.

  • Although Apple no longer channels the Rebel archetype, the company’s 1997 "Think Different" campaign celebrated iconic figures who challenged convention and changed the world. The campaign positioned Apple as a brand for rebels, free-thinkers, and innovators, aligning with the rebel archetype. By associating Apple with influential figures who had disrupted the norm, the campaign positioned the company which also thought beyond the ordinary. The campaign went beyond promoting Apple products; it emphasized the values and philosophy that the brand represented. It represented a departure from traditional marketing approaches. Instead of focusing on product features, Apple highlighted a broader brand narrative centred around the rebel archetype.

  • Benetton's advertising campaigns have often tackled social and political issues, challenging norms and sparking conversations. The "United Colors of Benetton" campaign, in particular, featured diverse models and addressed topics like race, gender, and social justice. Both the "United Colors of Benetton" campaign and the rebel archetype in "Veeram" challenge societal norms. By utilising controversy to make a statement, Benetton's ads could spark debate due to their provocative nature.






Jagath took out a half-full chilli powder packet from the pocket, undid the rubber band, and sprinkled a generous amount on his omelette. Seeing the bright red powder dotting the blandness of the beige egg instantly made his mouth water.

“Ado, don’t you have gastritis?”, shouted Hilmi, his bar mate, from across the table. Six men—all religiously present for their wife-pardoned weekly bar banter—joined in chorus, cautioning Jagath on the dangers of chilli powder as they soaked their livers in double distilled arrack with 66% alcohol content.


Jagath dismissed them with a wave of his left hand while its right counterpart got busy attempting to cut up the chillied omelette with the fork edge. His tongue prickled alive with the burning red thrill of chilli.


“You know gastritis is a disease of doing it halfway. If you eat chilli, you’ve also got to cool your gut after with some curd. I don’t do halfways… I go all the way…” he picked up a piece of egg-tinged flaming chilli red and shook it in front of Hilmi’s face with an obnoxious smirk.


Hilmi laughed and reached over into Jagath’s pocket asking “Do you actually carry around a chilli packet?”


Jagath swatted Hilmi’s hand with his, leaving an oily chilli splatter on his skin. All the tipsy men around the table laughed like a chorus of Sunday crows.


“You laugh. But, do you know, one of our buggers saved his life and escaped slavery because he had a packet of chilli handy?” asked Jagath from the table.


“What tall story you have there?” laughed Alles.


“Tall? This is a true story, son. Straight from the news. You buggers don’t watch the news, noh? So, listen to your old Jaga now. I’ll tell you what’s happening in this world and how a packet of chilli will save you,” Jagath assured.


Hilmi, Alles, Devro, Lalith, Punchi and Ranjith all turned their heads to listen.


The only thing that Jagath loved more than chilli and arrack was telling a good story. He drank deeply from his arrack and smacked his lips in preparation for the delivery.

“So, one of our young buggers thought he was doing the right thing, flying off to Thailand for a job. But, it was a scam..and he was sold to some Myanmar terrorist group…and got put in a slave camp with some hundred-odd more prisoners where everyone was being forced to scam people online…imagine…they were given nine days to secure a target, otherwise beaten until blue…”


“This is for real?” asked Ranjith.


“Yes machan, yes. News, noh? And you know who they were forced to target? Lonely old men who chat up girls on the internet…” Jagath said, looking pointedly at Punchi (who avoided his eyes and returned to the glass of arrack).


“Yeah…,” Jagath continued; “so these buggers had to pretend to be some young girl and lure men in, and then, these scammed old men who bit the bait were passed onto the actual women in the slave camp for the second step…calls with videos…when they would ask for some thousands of dollars for a plane ticket to visit those old men…and you know the rest, noh?”


Six bloodshot eyes around the table stared transfixed at Jagath, who shook his head and devoured another piece of omelette.


“One of these old men that our local bugger had lured into the scam, lost everything to it and took his own life…tsk…damn shame… This was the turning point for our bugger, who thought he couldn't do this anymore, collecting bad karma for the benefit of terrorists, and planned to escape. But, you can’t just escape a terrorist camp, you know?”


Jagath savoured having all eyes and ears hung on him for a few seconds before continuing.


“So, the next time their location was being routinely switched—small groups of prisoners being shuffled around in a van—our bugger tried to bribe the driver…but the driver refused. So, you know what our bugger did? He reached for the packet of chilli powder that his Ma gave him when he left the country—something this poor bugger kept at hand to remind him of home—and threw it in the driver’s eyes. The prisoners got together and beat the driver up, snatched their passports and ran into the jungle. After walking for miles, they met some monk who connected them to the embassy, and this bugger came back home alive to tell the tale.”


Alles shook his head in disbelief, others drank or sighed deeply, finding themselves momentarily sobered from the story.


“And that my friends, is why you always carry a packet of chilli around, eh? It’ll save your life from slavery; whether it’s to terrorists or bland food…” Jagath chuckled at his own joke, but no one else did.


“Son, bring me a curd to appease my gut, will you?” Jagath shouted at a disgruntled waiter.



This fictional story was based on the true accounts of a Sri Lankan man who escaped the Myanmar terrorist-operated cyber crime enslavement camp, in November 2023. Read another story about Jagath from our shadow series.


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Miranda July's celebration of everyday heroism with quirky characters; Robert Downey Sr.'s satirical critique in "Putney Swope." Quentin Dupieux, aka Mr Oizo’s deadpan humour and surreal narratives. Published works by Joseph Campbell, Maureen Murdock, and Zeno Franco explore universal hero journeys, feminist perspectives, and the psychology of heroism. Iconic characters like Liz Lemon and Deadpool add humour to their heroic narratives. While businesses, including Old Spice, Snickers, and Poo-Pourri, define themselves as hero brands through humorous campaigns.


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Archetype → Hero

Rasa → Hāsyam


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December 2023


Artistic expressions channelling archetype in rasa

  • Everyday heroism: Miranda July, an American filmmaker, artist, and writer whose work often explores quirky and unconventional characters. Her work often celebrates the quirks of everyday life. July's characters often engage in acts of everyday heroism, such as breaking out of social norms, expressing vulnerability, or challenging the status quo in small but meaningful ways. The way her characters navigate challenges and interact with the world often involves a whimsical and comedic sensibility, providing a unique lens through which to explore heroism.

  • Humour as social commentary: "Putney Swope" is a 1969 American satirical comedy film written and directed by Robert Downey Sr. The film is known for its irreverent and provocative commentary on race, advertising, and corporate culture. The film serves as a vehicle for social commentary and satire, with Putney's character embodying a critique of racial stereotypes, consumerism, and corporate greed. As a token African American executive who unexpectedly becomes the leader of an advertising agency. Despite the absurd circumstances of his appointment, he seizes the opportunity to make significant changes within the agency, reflecting a sense of personal agency and empowerment.

  • Deadpan humour: Quentin Dupieux, under his alias Mr. Oizo, is known for his surreal and unconventional music videos that often align with the unique and absurd narratives found in his films. Many Mr. Oizo music videos feature protagonists who are unconventional or defy traditional expectations. The use of deadpan humour and satire, present in both Dupieux's films and music videos, creates a distinctive tone.


Published ideas of archetype in rasa

  • Hero's journey: Joseph Campbell's "The Hero with a Thousand Faces." This work, published in 1949, explores the concept of the hero's journey as a universal mythological motif found in various cultures throughout history. Joseph Campbell, a comparative mythologist, identified common stages and archetypes that appear in the stories of heroes across diverse cultures and religions. Campbell outlines the monomyth of hero's journey, a narrative pattern that involves a hero leaving their ordinary world, facing trials and challenges, undergoing transformation, and returning with newfound wisdom or a boon for their community.

  • The Heroine’s Journey: Maureen Murdock's work provides a feminist perspective on the Hero's Journey. In "The Heroine’s Journey," she explores the unique challenges and narratives of female protagonists and critiques traditional hero narratives from a gender perspective.

  • The Banality of Heroism: Co-authored by Zeno Franco and Philip Zimbardo, This article explores the psychology of heroism in everyday life. It discusses the factors that lead individuals to engage in heroic acts and challenges simplistic notions of heroism by examining the complexities involved.


Characters channelling archetype in rasa

  • Liz Lemon in "30 Rock" (TV series, 2006-2013): Liz Lemon, portrayed by Tina Fey, is the head writer of a comedy sketch show. Her character's quirks and comedic situations add humour to her attempts at managing work and relationships, making her a relatable and comedic hero.

  • Juno MacGuff in "Juno" (film, 2007): Juno, played by Elliot Page, is a teenage girl dealing with an unplanned pregnancy. Her wit and humour, combined with a sense of responsibility, make her a modern comedic heroine navigating complex life decisions.

  • Deadpool in the "Deadpool" film series (2016-present): Deadpool, portrayed by Ryan Reynolds, is an unconventional and irreverent superhero known for breaking the fourth wall. His humour, anti-hero antics, and self-awareness add a comedic twist to the superhero genre.


Channelling the archetype in rasa for business

  • Old Spice: "The Man Your Man Could Smell Like" (2010): Old Spice's "The Man Your Man Could Smell Like" campaign features Isaiah Mustafa in a humorous and over-the-top portrayal of a confident and suave character. The campaign became a viral sensation, using humour to redefine the brand's image.

  • Snickers: "You're Not You When You're Hungry" (2010-present): Snickers' ongoing campaign revolves around the idea that people become different personalities when hungry. It often features celebrities in humorous situations, and the central message is that eating a Snickers can return you to your normal self.

  • Poo-Pourri: "Girls Don't Poop" (2013): Poo-Pourri's humorous campaign challenges taboos around bathroom-related topics. The "Girls Don't Poop" commercial features a confident and unapologetic character, presenting the product as a hero in awkward situations.




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